Description:

Paul Cezanne (1839-1906) giclee on board titled In the Valley of the Oise, after the original which was painted in 1878-1870. It measures 28 inches x 33 inches. It is mounted and framed in a simple wooden frame. Acquired from a Metro Washington DC area estate.

    Provenance:
  • Acquired from a Metro Washington DC area estate.
  • Dimensions:
  • 28IN x 33IN (71cm x 84cm)
  • Artist Name:
  • Paul Cezanne
  • Medium:
  • Giclee on Board
  • Notes:
  • About the Artist: Paul Cezanne was born on January 19, 1839 in Aix-en-Provence in France. In addition, Cezanne, inspired by Zola, wrote some poetry. No prodigy, slow but conscientious, he was fascinated by chemistry and the classics. In 1867 his father gave his consent and took him to Paris and left him. He studied at the Academie Suisse in the daytime and spent more of his time with Zola but became easily discouraged and went back to Aix. He adopted painting as his profession with an annual allowance of 2600 francs from his father. He was never able to support himself; he sold hardly anything at all. His father took him back into the bank but still he painted. He painted compositions on the walls of the Jas de Bouffan, but signed four of the panels 'Ingres' for a joke. He impatiently tried to get in the Ecole des Beaux Arts but was rejected because his painting was too extreme. He was an incurable romantic and was incapable of holding on to his money. He was influenced a lot by Rubens and impressed by the Louvre. In 1863 he became acquainted with Renoir and Manet. Cezanne became known as one of the most extreme of the young revolutionary painters, the bitterest in his denunciation of official art and of Ingres, who, then in his old age, was regarded as the head of the reactionaries. In this way, Cezanne became acquainted with the group of painters who encircled Manet and who afterward became known as the Impressionists. Cezanne's lifelong ambition was to hang in the Salon des Artistes Francais.  Every year he sent two canvases but was consistently rejected. In 1882 a portrait was accepted but that was because his friend Guillanet sneaked it in for him. He was accepted in 1889 in the Universal Exposition through the influence and insistence of M. Choquet. His paintings became richer, more intense and vivid in color, more agitated in rhythm, more vehement in accent. Cezanne was at the peak of his power in 1892-1903, when he painted his best.  He was always ill at ease with sophisticated Paris. Every painting was a tremendous problem for him; he never felt as though he had entirely conquered it. He felt that painting from nature did not mean copying the object but realizing one's sensations; yet he never worked with a model. Cezanne lived from 1884 through 1887 at Aix.  He was almost forgotten except by his painter friends.  His father had died in 1885 and his mother eight years later.  He had married Hortense Fequet in April 1886. He had broken relations with Zola after Zola became successful. Cezanne suffered from diabetes, which robbed him of his strength, but he would paint just as hard. He got caught in a storm, became ill and died on October 22, 1906.
  • Condition:
  • Excellent

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