Description:

Paolo Veronese (1528-1588) color lithograph for an exhibition at the National Gallery of Art in Washington, DC in 1988. The underlying piece used for the poster is titled Judith with the Head of Holophernes, after the original which was painted in 1575 and is now on display in the Kunhistorisches Museum in Vienna. This original exhibition poster was produced on heavy stock 300 gsm, museum paper. With frame, it measures 28.5 inches x 38.5 inches. It is matted and framed under acrylic in a golden frame. It was produced in 1988, under the auspices of the Board of Trustees of the National Gallery of Art. This piece was acquired from the estate of an ex-employee of the National Gallery in Washington, DC.

    Provenance:
  • This piece was acquired from the estate of an ex-employee of the National Gallery in Washington, DC.
  • Dimensions:
  • 28.5IN x 38.5IN (72cm x 98cm)
  • Artist Name:
  • Paolo Veronese
  • Medium:
  • Art Expo Poster
  • Circa:
  • 1988
  • Notes:
  • About the Artist: An eminent painter of the Venetian school; born at Verona, 1528; died at Venice, 19 April, 1588, Paolo Caliari was the son of a sculptor, Gabriele Caliari, and was at first educated in his father's craft, but his taste was towards painting; and he entered the studio of Antonio Badile, a Veronese painter of some repute. His first works were executed at Verona, and at Mantua, and at Castelfranco.  In the last-named place he decorated the Villa Soranzo with large frescoes. He was summoned to Venice in 1555 and commissioned to decorate the ceiling of San Sebastiano, his work giving such satisfaction that he was further employed to paint an altar-piece and smaller works in the same church. In 1561 the historical paintings he executed in a castle near Vicenza were brought under the notice of Titian, who selected him to carry out part of the decoration of the great hall of the Library of Saint Mark, and his three medallions were successful in winning for him the gold chain offered for the best painting in the library. He is declared to have been a man of sweet character, amiable and generous, very affectionate towards his family, and greatly esteemed by all who knew him.  He was a painter of prodigious facility and of untiring energy, and his paintings are exceedingly decorative, glowing with gorgeous color, and splendidly composed.  His paintings are all frankly anachronistic, and he makes no pretension to depict religious scenes in the surroundings which should belong to them. There is no trace of religious feeling about them, and no attempt to produce such an emotion. The subjects were treated by the painter purely as offering good possibilities for pictorial representation, and he introduced historical characters into his gorgeous scenes quite irrespective of historic unity, merely with a view to decorative charm. It has been well said that the beauty of his figures is more addressed to the senses than to the soul, but it must be borne in mind that his pictures have a feeling for grace and a splendor of life which had entirely departed from the other schools of the period. Venice contains numerous works by Paolo Veronese, and there are many of his paintings in Florence, Milan, Dresden, Munich, Vienna, London, Paris, and Castelfranco, while more than a dozen works by him are to be seen in Madrid.  His decorative fresco work can be studied only in the district round about Venice, in the Villas Fanzolo, Tiene, Masiera, and Magnadole.
  • Condition:
  • Excellent

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