Description:

Original El Greco (1541-1614) poster for an exhibition at the National Gallery of Art in Washington, DC in 1982. The underlying piece used for the poster is titled Saint Martin and the Beggar, after the original which was painted in 1597, and is now on display in The National Gallery of Art in Washington DC. With frame, it measures 31 inches x 37 inches. It is matted and framed under acrylic in an ornate golden frame. It was produced in 1982, by the exhibition organized by The Toledo Museum of Art, Ohio, and made possible by a generous grant from the American Express Foundation. Additional support was provided by the National Endowment for the Humanities, and the National Endowment for the Arts, Federal Agencies. Federal indemnity from the Federal Council on the Arts and the Humanities. This piece was acquired from a Metro Washington DC estate.

    Provenance:
  • Acquired from a Metro Washington DC area estate.
  • Dimensions:
  • 31IN x 37IN (79cm x 94cm)
  • Artist Name:
  • El Greco
  • Medium:
  • Art Expo Poster
  • Circa:
  • 1982
  • Notes:
  • About the Artist: The Greek was what they called the painter in Toledo, Spain, and although he often signed his real name in full (Domenikos Theotokopoulos), it was in Greek characters which few of his patrons could read. He was a learned and music-loving man, born in Crete, a Venetian dependency, in 1541. Early in his life, he was trained to be a maker of sacred images. He was schooled in Venice, perhaps with Titian and Tintoretto, and in Rome. There he studied the work of Michelangelo. From Michelangelo he learned the structure of the human body in art and the ways in which an artist can twist and alter that structure to create a pattern or evoke feelings and emotions. He learned so well that he could redesign limbs, torsos and heads, lengthening and spiritualizing them so that they seemed to belong less to earth than to heaven. From the great Venetians, Tintoretto and Titian, especially, he learned that color can arouse and sustain the most powerful emotional response as well as show what appears in nature. It was once believed that El Greco suffered from astigmatism, but there are several portraits that were without the deliberate distortions of his religious works and were proof of his ability to portray the human realistically. One of the most important portraits he painted is a matter of interesting conjecture. There are those who believe it to be a portrait of Dona Jeronima de las Cuebas, El Greco's common-law wife who bore him a son, Jorge Manuel in 1578. For the next twenty-seven years he lived in Toledo, the gray, granite city of ecstasy and martyrdom more Catholic than Rome. He executed several commissions for Philip II and in churches and cathedrals. The work of his later period has had a more profound influence on modern painting than any other master's. El Greco is an artist who has always been admired in his adopted Spain for his own strange individualized style of mingled aristocratic grace and etherealized religious ecstasy. It is only in later times of our tolerance for and understanding of the artistic value of deliberate distortion and unreality, that his genius has been recognized in other countries and that he has taken his proper place among the greatest names in the world's art. He died in 1614 in Toledo, Spain.   
  • Condition:
  • Excellent

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