Description:

Limited edition lithograph by celebrated Russian artist Mark Rothko (1903-1970). It is signed by the artist in the lower right and is hand numbered 117/150. It is produced on thick, Arches paper. It came from an art auction. It measures 18 inches x 22 inches. It is professionally matted and framed under glass, and it comes with a COA.

    Provenance:
  • It came from an art auction and comes with a COA.
  • Dimensions:
  • 18 inches x 22 inches
  • Artist Name:
  • Mark Rothko
  • Medium:
  • Lithograph
  • Notes:
  • About The Artist: Mark Rothko was born Marcus Rothkowitz in 1903 in Dvinsk, Russia. His father was a pharmacist. As a child he spoke Hebrew and Russian until he was ten years old. In 1913, he and his two sisters, Anna and Sonia, came to Portland, Oregon, where their parents had preceded them. They wore labels explaining that they did not speak English and he was enrolled in Immigrant School. In 1921 he won a scholarship to Yale University. He was one of three immigrant seniors to get into Yale and he had planned on becoming a labor leader. In 1923, he left Yale and moved to New York to work as a bookkeeper for an uncle. Somewhere along the way he disavowed his faith, struggling with a cultural identity developed against a hostile backdrop of anti-Semitism. In 1925, he began taking life-drawing classes eventually studying at the Art Students League with Max Weber. He was also much influenced by Milton Avery's simple paintings and by the work of Matisse. In 1935 he co-founded "The Ten" with Adolf Gottlieb, who were a group of artists who espoused expressionist or emotive styles as opposed to abstract artists whose work was removed from emotional content. In the late 1940s he taught at the California School of Fine Arts and became a significant influence for Abstract Expressionism on the West Coast. During the 1930s and 1940s, he eked a life out of part-time teaching and the WPA artists' work program. His first marriage to a fellow artist ended in a nervous breakdown for Rothko and divorce. In 1944, he met his second wife, Mary Alice (Mel) Beistle. They had two children, a daughter, Kate, and a son, Christopher. He didn't make a living from his painting until the mid-1960s. Then everything in his career seemed to flower. Rothko's works underwent a transition as time went on. They became larger and larger in size and less figurative, brighter and deeper in color, until they became rectangles of color in different configurations. As Rothko became more obsessive about his work, he disliked group shows and usually declined to participate in them. He fussed about the lighting of his paintings and the color of the walls on which they were hung, and he insisted that his paintings be hung in groups and not mixed with canvases that were different in color and design. Unfortunately, he bought some of his pigments in Woolworth's and didn't even know what they were, and as a result of this, as well as high levels of light, the paintings and murals faded rapidly. In spite of these occurrences, Rothko's work was accepted and increased in value considerably after his death. There was a famous legal battle over his estate that lasted from 1971 to 1977. His children ended up with fewer than one hundred of their father's works. Rothko killed himself with a razor and pills in 1970.
  • Condition:
  • Excellent

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