Description:

Jean Arp (1886-1966) original National Gallery exhibit poster announcing his Dada Reliefs. It measures 29 inches x 36 inches. It is framed under glass in an ornate, gold tone frame. It was produced in 1983, under the auspices of the Board of Trustees of the National Gallery of Art in Washington, DC. This piece was acquired from the estate of an ex-employee of the National Gallery in Washington, DC.

    Provenance:
  • This piece was acquired from the estate of an ex-employee of the National Gallery in Washington, DC.
  • Dimensions:
  • 29IN x 36IN (74cm x 91cm)
  • Artist Name:
  • Jean Arp
  • Medium:
  • Lithograph
  • Circa:
  • 1983
  • Notes:
  • About the Artist: Jean Arp (also called Hans Arp), a sculptor, painter, and poet was born in Alsace and studied at the Strasbourg School of Arts and Crafts, at Weimar (1905-7) and the Academie Julian, Paris (1908). In 1912 he went to Munich where he knew Kandinsky and exhibited semi-figurative drawings at the second Blaue Reiter exhibition in 1912, and 1913 he exhibited with the Expressionists at the first Hebrstsalon (Autumn Salon) in Berlin. Aware of the developments within the French avant-garde through his contacts with such figures as Apollinaire, Max Jacob and Robert Delaunay in 1914, Arp exhibited his first abstracts and paper cutouts in Zurich in 1915, and began making shallow wooden reliefs and compositions of string nailed to canvas. In 1916 he was a founder member of Dada in Zurich, he participated in the Berlin Dada exhibition of 1920, and in 1923 he visited Schwitters in Hanover. In Paris, Arp began to evolve his personal style of abstract compositions through an organic morphology, frequently sensuous in form, and began to experiment with automatic composition (automatism). In 1925, he participated in the first Surrealist exhibition in Paris, before breaking with Surrealism to become a founder member of Abstraction-Creation in 1931, when his characteristic organic forms became more severe and geometrical. At a time when he began to turn towards full 3-D sculptures, Arp insisted that his sculpture was 'concrete' rather than 'abstract', since it occupied space, and that art was a natural generation of form: 'a fruit that grows in man', as he put it.
  • Condition:
  • Excellent

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