Description:

Gustave Dore (1832-1883) original exhibition poster announcing his Peinture Religieuse Monumentale exhibit at the Musee du Petit Palais. The underlying piece is titled The Ascension, and it is after the original which was painted in 1879 and is now on permanent display at the same museum. This piece is matted and framed under acrylic and (with frame) it measures 24.5 inches x 28 inches. This piece was acquired from a Metro Washington, DC estate.

    Provenance:
  • Acquired from a Metro Washington DC estate.
  • Dimensions:
  • 24.5IN x 28.0IN (62cm x 71cm)
  • Artist Name:
  • Gustave Dore
  • Medium:
  • Art Exhibition Poster
  • Circa:
  • 1985
  • Notes:
  • About the Artist: Gustave Dore was born in 1833 in Strasbourg, France. His name originally was Dorer, a not infrequent German name, which he modified into the French equivalent. In 1848 at fifteen he began to exhibit at the Salon landscape sketches in pen and ink and the same year began to contribute regularly to Journal Pour Rire, as well as a large number of designs to Journal Pour Tous.  His earliest exhibited works were Battle of the Alma in the Salon of 1855 and the Battle of Inkermann in the Salon of 1857, but his best picture, which first brought him into notice as a painter, was Paolo and Francesco da Remini in 1863. Dore's ambition was to win fame as an historical painter but in this he failed.  Gifted with marvelous fertility of imagination and wonderful facility of execution, he nevertheless possessed grave defects. Nowhere are his faults of composition more manifest than in the enormous canvases exhibited in the Dore Gallery in London. (Large: 20' x 30'.) His most ambitious works were Ecce Homo 1877, and Moses Before Pharoah 1878-80. It is as a designer of illustrations for books that the wonderful versatility of his genius becomes most apparent. The designs of the Contes Drolatiques of Balzac are masterpieces of caricature, in the true medieval spirit.  Preceded by illustrations to the Rabalais 1854 and Legend of the Wandering Jew 1856; Designs for Dante's Inferno, terrible in their weird imagination, 1861; Designs for Don Quixote, careful studies of Spanish life, 1863; Purgatoria' and 'Paradiso of Dante 1868; Designs for the Bible 1856-66; Milton's Paradise Lost 1866; Tennyson's Idyls of the King 1867-68; Coleridge's Ancient Mariner 1876; Orlando Furioso of Ariosto 1879; and Poe's Raven 1883, his last work, marked the grades in a constantly descending scale of genius and power. He also possessed considerable ability as a sculptor, and was engaged in a monument to the elder Dumas when he died in Paris in 1883. He left unfinished a series of illustrations to Shakespeare.   
  • Condition:
  • Excellent

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